Sunday, May 25, 2025
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    Cave entrance in Oporovina (Croatia)

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  • Home
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    • In caves, on lakes and on the land
    • On hillforts
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    Cave entrance in Oporovina (Croatia)

    Introduction

    Divje Babe 1

    Divje Babe 1

    Zaljev na Koskite / Bay of the Bones

    Zaljev na Koskite / Bay of the Bones

    Sodolek

    Sodolek

    Conclusion

    Conclusion

  • To Eat
    • All
    • To Produce
    • To Trade
    • To Prepare
    Introduction

    Introduction

    Grain

    Livestock

    Livestock

    Olive

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    Conclusion

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  • To Love
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    • Your Partner
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    • Your Gods
     Introduction

     Introduction

    D’Alpago (Belluno)

    D’Alpago (Belluno)

    Brezje

    Brezje

    Stobi

    Stobi

    Conclusion

    Conclusion

  • Make War
    • All
    • Heroes
    • Walls
    • Fields of war
    Introduction

    Introduction

    Zavrč

    Zavrč

    Novo Mesto

    Novo Mesto

    Koreshnica

    Koreshnica

    Conclusion

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  • To Die
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    • Anonymous woman
    • Anonymous man
    • Big man
    Introduction

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    Zavrč

    Zagonce

    Srednica

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    Conclusion

    Conclusion

     Introduction

     Introduction

    Zavrč

    Zavrč

    Srednica

    Srednica

    Scupi

    Scupi

  • IMPRESSUM
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Brezje

in Your Partner, To Love
Home To Love Your Partner

In antiquity, the banquets and symposiums emphasized the “internationally accepted” ritual of alcohol consumption, whose role in promoting commercialism, in the exchange of hospitality and the dynamics of power in the last millennium BC was well known. All the standard motifs in the figurality of Situla art established a precious narrative that was much more complex than a flat or purely decorative image, especially in the classical phase of that creation. Such a set of semantic signs, presented with a certain reason and with a certain logic, required a more “enlightened” reader and interpreter from the archaic society of that time. Situla art was not, nor could it be, Biblia pauperum of the wider community of Iron Age people. Since then the prestige of materiality was inferior to the prestige of symbols, which, just like the “international symposium”, was the “international metalanguage” of the communicative and cognitive values of their time.

Many interpretations bring us into the spheres of legality and the principles of the sanctity of the “love embrace” in which women nevertheless played a decisive role. Thus, on the example of a belt plate decorated in the Situla art from Brezje, an unusual but very strong and explicit erotic scene is presented. Essentially such an act of love was considered the most intimate and beautiful part of human life. The woman is also in this scene of emphasized symbolic value and divine character, for she dominates in lavish attire and sits on an even more lavish throne, and the man is in a lower position, with his head turned. It is the woman, who will enable the reproduction of the elite, and thus maintain the existence of the ruling associated with dynastic inheritance. Such a “marital embrace” became interpreted in this masterpiece as sublime and sacred.

Belt from Brezje

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